Like its 2016 predecessor, 4 Your Eyez Only, the music on KOD is sparse and understated: even its most uptempo track, “ATM”, is set to muted, jazzy piano chords, while listeners of a certain vintage might find the term trip-hop springing to mind unbidden when the meandering guitar and vibraphone sample of “Brackets” slouch into life.

KODs sound exists in a curious, appealing area somewhere between beatifically stoned and slightly unsettling. “Motiv8″ revolves around little more than an eerie keyboard figure and a disembodied cry of get money from Lil Kims guest appearance on the 1995 Junior MAFIA hit of the same title ripped out of context, it sounds bleak and despairing and theres something really haunting about “Photograph”, with its delicate two-note guitar sample and a chorus whose voca