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For the past decade, Spirit of the Beehive have honed an aesthetic like no other. Theyve chopped up samples, chewed them up, spit them back out again, baby birded it. Across four albums and a smattering of EPs, Zack Schwartz, Corey Wichlin, and Rivka Ravede have fully solidified their stance as some of rocks weirdest and best deconstructionists. 2018s Hypnic Jerks was a study in noise punk sampledelia. It was a breakthrough for the band. Frank Ocean became a fan, spinning fell asleep with a vision, on Blonded Radio. 2021s Entertainment Death, was nasty dream pop by way of K-Mart realism and hitting the channel search setting on an old TV set.
Their last release, 2023s im so lucky, explored the breakup between Schwartz and Ravede, setting the stage and emotional
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